Friday, January 3, 2020
The Transition to Postmodernism Essay - 3040 Words
The Transition to Postmodernism Works Cited Not Included Postmodernism is a difficult term to define, as it is evident in many different disciplines, such as art, literature, architecture, technology, and, the precise emerging moment of this movement is also hard to identify. In order to truly understand `Postmodernism, one must first identify with `Modernism and its subsequent decline which led to the appearance of the Post-modern ear. It is often suggested that Postmodernity is simply a continuation or advancement of Modernity. For example, Bauman, (Crook, Pakulski, Walters, 1992: p.2) claims that `Postmodernism is simply a replacement of classical Modern capitalist society. However, this assumption has undergone much debateâ⬠¦show more contentâ⬠¦The sudden upheaval of Modernism was not wholly shocking, as it did offer some assurance as to direction this change was taking; modern societies were going to grow and differentiate. (Crook, Pakulski, Walters, 1992: p.2) This can be seen in Andersons text, Modernity and Revolution. In it, he evokes the arguments of Marshall Berman in All That Is Solid Melts Into Air, in which Berman shone light once again on the relationship between Modernity and revolution. Modernism is acknowledged as a `body of experience (Anderson, EL875) of which is universally and globally shared. Berman and Anderson reflect on Modernism in a positive way, underlining that it can unite all mankind. This movement, according to Anderson, would not only envelope experiences of adventure and development, but would also, as I mentioned previously, endanger all that we are familiar with, and thus, in Marxs words, all that is solid melts into air.(Anderson, EL875; p.317) Anderson questions the propeller of this whirlpool of change and identifies the initiator as socioeconomic modernization; these being social processes such as scientific advances and urbanization. These new ideas and visions allow each person to change and claim this new age as their own. Anderson distinguishes the connection between the terms `Modernity, `Modernization; and `Modernism. He states that `Modernity is the process which links the economics of `Modernization and the culture of `Modernism. This is theShow MoreRelatedPostmodernism Essay1696 Words à |à 7 Pagesbut when society views changed from modernism to postmodernism this shook the structure of brand identity. There was a shift in the demographics of their customers, instead of a company just being a business that customers buy from, the customers have become ââ¬Å"stakeholdersâ⬠in the company and their brand identity. This is known as the shift from ââ¬Ëlive to consumeââ¬â¢ to ââ¬Ëconsume to liveâ⠬â¢. 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Much like modernism, however, post-modernism offered to reject ideals presented by both prior literary trends and the popular ideas of their time; yet for postmodernism, the rejection mostly dealt with homogeneity (a conformed universal standard defined by advancements in American quality of life) and howRead MoreWings of Desire and Antigone: Conflicts and Opposites Essay1309 Words à |à 6 Pagescredibility to this article. Caldwell, David Rea, Paul. ââ¬Å"Handkeââ¬â¢s and Wenderââ¬â¢s Wings of Desire: Transcending Postmodernism.â⬠The German Quarterly 64.1. (1991): 46-54. Web. 19 Mar 2012. JSTOR http://www.jstor.org/discover/10.2307/407304?uid=3739808uid=2129uid=2uid=70uid=4uid=3739256sid=55926687043 The authors of ââ¬Å"Handkeââ¬â¢s and Wenderââ¬â¢s Wings of Desire: Transcending Postmodernismâ⬠, David Caldwell and Paul Rea disclose the polarities demonstrated in the film Wings of Desire through this articleRead MoreTheoretical Concerns Of Reflexivity And Subjectivity1614 Words à |à 7 Pagesby being present in the research which in turn reflects the researchersââ¬â¢ direct engagement with this period. Bauman (2007) states that the postmodern context is highly fluid and calls it the ââ¬Å"liquid modernity, a kind of unfixed and fluctuating transition between erasâ⬠. His argument is that we are still currently in an era where the traditional methods of who we are as researchers no longer applies; and the new methods are not yet fully in place. Needless to say, in this postcolonial era there hasRead MoreFilm Analysis : The Neon Demon1270 Words à |à 6 Pagesand hyper-reality, the movie The Neon Demon, a psychosexual horror thriller, directed by Nicolas Winding Refn, had become one of the most aesthetically cinematographic masterpieces in 2016. The mixing of genres is the most obvious element of postmodernism that appears throughout the film. Opening drama genre, The Neon Demon relaxes viewers getting into an inevitably romantic human relationship between two characters, Jesse and Dean. Dean, an amateur photographer, met Jesse via internet. AttractedRead More A Postmodern Cultural Perspective in Lolita and A Streetcar Named Desire 1258 Words à |à 6 PagesPostmodern Cultural Perspective in Lolita and A Streetcar Named Desire Postmodernism has emerged as a reaction to modernism thoughts and well-established modernist systems. (Wikipedia, 2005) Specific to Nabokovs Lolita and Williams Streetcar Named Desire is the idea that both of the novels are written under the view of postmodernism as a cultural movement and that they are broadly defined as the condition of Western society especially after World WarRead MorePostmodernisms Effect on Marriage and Family1835 Words à |à 8 PagesPostmodernism first appeared around the 1980ââ¬â¢s, following a hectic and messy period of time. The postmodernist theory that defines a new era describing the world as society is fragmenting, while authority is de-centering, and real truth does not exist; there are only representations of it. Believers of the postmodernist theory, believe that postmodernism is a mixture of present, past, and future, more specifically, the cultural and spatial elements of these different times (Lemert, 2010). The postmodernRead MoreLudwig Mies Van Der Rohe3265 Words à |à 14 Pagesà à Throughà theà workà ofà Ludwigà Miesà vanà derà Rohe,à thisà essayà attemptsà toà chartà theà transitionà inà architectureà fromà nineteenthà centuryà Romanticismà andà Neoclassicismà toà Highà Modernism.à Miesà vanà derà Roheà redefinedà architecturalà boundariesà andà emphasisedà theà beautyà ofà simpleà forms,à theà importanceà ofà functionalityà andà theà versatilityà ofà newà materialsà suchà asà glass,à steelà andà marble.à Anà analysisà ofà theà workà ofà Philipà Johnsonà revealsà theà developmentà fromà Highà Modernismà toà Postmodernism,à whereà playfulà andà ironicà decorationà andà humanistà theoriesà wereà reintroducedà intoà whatà had
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